Saturday, 22 December 2012

Lebanon Hanover - Gallowdance

  Founded in July 2010 in Sunderland, UK, Lebanon Hanover a Duo influenced by 80s Cold-Wave decided to stand up and disapprove with the high pitched overproduced music that peaks in your ears.
  Their recordings are rather minimal. A sore distorted guitar, leading post-punk basslines, and their female/male vocals are depressive and full of world weariness. Hardly suprising they call themselves «New Misanthropics.»
  After some of their tracks have been featured on compilations like „Darkness before Dawn“ “ The Almighty Wire“ „Monosynth“ and „Death Disco“ they have released their first 12“ vinyl on Fabrika Records (Greece) in February 2012.   
  Since moving to Berlin in spring 2011 Lebanon Hanover were irritated by too many humans and moved back to the seaside of North-East England and are recording and mixing on their new stuff. 

 Listen to their new single, for the dark nights!!






- Why not just be solo

The world is getting colder-


Thursday, 6 December 2012


   Pegasvs are Sergio Pérez García and Luciana della Villa from Barcelona, ES, both members from Thelematicos.

   Pegasvs was born in Asturias, Spain in 2010, with the recording of ‘La melodia del afilador’ Atlantico’, their second effort recorded in Barcelona, grabbed the attention of label
Canada who offered them an album deal.

   Their eponymous long player debut ‘Pegasvs’ was released in March 2012, preceded by two other cuts from the album ‘El Final De La Noche’ and ‘

Saturday, 1 December 2012

IAMX - The Unified Field

  On February 1, 2012, it was announced via IAMX's Facebook and Twitter pages that work has officially begun on the fifth studio album, which had the working title of IAMX5. 
  On May 13, Chris announced that there will be a vlog posted on the official IAMX YouTube channel every two weeks, which would allow the fans to view the recording process of the new album. 
  On July 6, 2012 via his online blog, Chris revealed the name of a track from the forthcoming album. The song is titled "Come Home" and will most likely become a single. 
  On October 1, a new fundraising project was launched via the PledgeMusic website, which will allow fans to bid on items such as tour setlists and CDs, including the new album. 
  On October 19, it was announced that the album will officially be named  "The Unified Field"  and will be preceeded by the first single, a double A side, to be released in December.

Here It Is... Take A Listen!!! 

  Sincerely I do hope that this single is just an intro to his masterpiece which we all expect impatiently.
  This song is not alike Chris we use to hear an album ago, but as his fan, I do believe that it will develope a truly symphony with the further songs and whole album :)

  "Schizophrenic modesty incarnate” is the description IAMX’s Chris Corner gives to THE UNIFIED FIELD, the follow-up to the universally lauded album Volatile Times. For those who are familiar with the music of IAMX, this description fits like a velvet-lined black glove. “I want it to move you, to f*** you and to dictate the psychology of your offspring.” In advance of the release of their fifth album in early 2013, the double A-Sided single for the title track “The Unified Field” will be released, worldwide on December 3, 2012 via 61seconds.

   At the same time primal, sensual, dangerous while also philosophical, intelligent and profound,  Corner embodies a realm that connects head, heart and heavens while still being very conscious of innate rhythms and melody. The song, “The Unified Field” is a perfect example of that. “The song is based on a scientific theory rooted in quantum physics, that intends to bring together all other scientific theories and to bridge the gaps between consciousness, spirituality and science… a theory of everything so to speak,” he explains without condescension or aloofness. 
“I find this idea extremely powerful and exciting. It has been floating around for millennia from Taoism to Einstein but there is more science emerging recently to back it up.
” While the background of the song is heady and steeped in concepts that would make Mensa blush, the song itself is an epic and expansively atmospheric track awash in echoes and space propelled by a midnight electro beat that’s equally built for a misty forest as it is for a danceclub. “This stuff keeps me awake at night with a racing heart and fired up imagination,” he continues about the song. “Some branches of quantum theory dig into the idea that consciousness pervades and creates all matter, that at the core it is what connects everything and everyone. I know all humans have this underlying nagging feeling that we are just wrapped up in a web of stuff, that particles inside us are just rearranged stardust billions of years old.”

Also included alongside remixes by Swiss electro artists We Love Machines who serve up a swirling, twitchy deep house track, and Faux Tales who rebuilds the song into a propulsive club remix, is the lilting ballad “Quiet The Mind” that highlights Chris’ trademark vocals. “I would say the production on this track 'Quiet The Mind' shows the acoustic extreme of the album,” Chris explains. “As with all IAMX records, there is a dominant electronic sound but this time more subtly intertwined with human performance. And of course the raw emotion is still a huge part of the album. It is just who I am and what I do, I can't get by without letting that stuff out.” Each of the two tracks will have accompanying videos on the single as well.

Wednesday, 21 November 2012

Trust - Trst

  Trust is Robert Alfons and Maya Postepski (Austra). Formed in 2009, the Toronto-based duo released its first singles, "Candy Walls" and "Bulbform" in 2011 before signing with Arts & Crafts for the 2012 release of their forthcoming debut full length, TRST.

  In the last year they've performed with DFA1979, Crystal Castles, Balam Acab, Glass Candy, and Hercules and Love Affair.

  Tales of lust, wax, and erotomania that carry along on a dense black vapor of speed, space and tears.

 Enjoy in dark dancing...

Check out TRST in its entirety on Soundcloud.

Sunday, 18 November 2012

Sixth June

  Sixth June is the electro pop duo of Lidija Andonov and Laslo Antal. The group formed during 2008 in  Belgrade and are currently based in Berlin. Their first official release “everytime” came out in March 2010 for the German label Genetic Music/No Emb Blanc. Since then, the band has been playing gigs in Germany, Belgium, Croatia, Serbia. The duo have also performed at B.I.M. fest in Antwerp, and Exit festival Novi Sad.

You can let your heart listen their deep influence for everything that has a synthesizer sound and found its origin in the Eighties; the duo represents perfectly the two sides of the same coin, in fact while Laslo is producing obscure but expressive, powerful and danceable textures, on the back side the voice of Lidija is living the shape to a wobbling atmosphere you won’t escape from. 


Saturday, 10 November 2012


  Formerly from Toulouse (southern France), SOROR DOLOROSA was originally founded in 2001, with Andy (Nuit Noire, Mutiilation, Peste Noire, Celestia, Darvulia, Fornication) on drums, Franck (ex Funeraell) on guitar, Herve (ex Funeraell) on bass, and Christophe Guenot (ex Funeraell) on vocals.

   Herve came up with the name of SOROR DOLOROSA because of a novel titled "Bruges-la-morte" by Georges Rodenbach, a Flemish symbolist writer from the late 19th century. A novel marked by symbolism of nostalgia and mourning. SOROR DOLOROSA means "Sister Pain" in Latin, one could almost translate it as "lovers of pain" in a more Baudelaire way...

   The band recorded an unpublished demo, then the line-up changed in 2003 with the arrival of Emey (ex Contrast, Unscarred ...), who replaced Franck on guitar. Subsequently they recorded a second unpublished demo and did some gigs until they split in 2005.

   In August 2007 they reformed with the present line up. A month later , based on songs written by bassist Carles Hervé, the band recorded a third unpublished demo whose content sounds definitely Gothic Rock and Death Rock, influenced by groups such as Christian Death , Bauhaus , and The Sisters of Mercy

   From that time, Soror Dolorosa ' s style became more personal and they found an own identity as a band. The songs were now written by the four members together, though still mostly based on the bass guitar. They took on a Cold Wave colouring, more in line with bands such as The Cure or Human League , but also with hints of 70's rock like Deep Purple or Black Sabbath and retaining the Sisters of Mercy- like Gothic Rock influence .
Soror Dolorosa made their first record appearance with "American Chronicle" in March 2008, on the free compilation 
"Poisoned Dead Frogs" (Manic Depression):
  When the third demo was out on myspace, the group was contacted to release an EP through the British label Todestrieb Records. This 6 track EP, entitled " Severance", wasn't released until August 2009 due to production delays and is being distributed through underground ways, while the band promoted it with successful live performances all over France. 

01. Beau Suicide 5:38
02. 43° 5:50
03. Dare Me 5:44
04. Trembling Androgyneous 5:50
05. Thousand Clouds 3:10
06. American Chronicle 11:40 

  Some time in 2009, through the help of Neige (Amesoeurs, Alcest), the band came in contact with Northern Silence Productions, who offered to release their upcoming albums on their newly founded sublabel Beneath Grey Skies, and subsequently produced the debut full length " Blind Scenes " , recorded in August 2010 at Drudenhaus Studio. 


01. Crystal Lane
02. Autumn Wounds
03. Damaged Dreamer
04. Low End
05. Soror Dolorosa
06. Scars Of Crusade
07. In A Glance
08. Broken Wings

   To use the band's own words : " The album is quite cold, with misty blue moods. 'Blind Scenes' would rather be perceived as scenes unseen, that is to say, out of time and out of the real world. As a state of grace overshadowed by the inevitability of everyday life. The lyrics are heartfelt and talk about regrets, coldness, alcohol abuse, as well as forfeiture, but mostly nostalgia, hence the blue color of the music."



- “Severance” Mcd, Todestrieb records (UK) 2009
- “Blind Scenes” cd, lp Northerne Silence - Beneath grey skies (Germany) Out on 25th february 2011


Saturday, 20 October 2012

Julian Plenti Is... Skyscraper

  Paul Julian Banks is an English American musician, best known as the lead singer, lyricist and guitarist of the rock band Interpol. He is also a solo artist under the name Julian Plenti. As a singer, Banks' voice lies in the baritone range. 
  Banks released a solo album under the name Julian Plenti on 4 August 2009 entitled Julian Plenti Is... Skyscraper. Banks claims to have multiple solo projects and monikers in mind. He released a five song EP entitled Julian Plenti Lives... on 26 June 2012. His second full-length studio album, Banks was announced on 6 August 2012 and will be released on 22 October 2012.
  As of August 15th, 2012, it would appear that Banks laid to rest the use of the alter-ego, "Julian Plenti" as on the official site of InterpolNYC, the name is referred to as "ditched". 
  Also, the domain URL for the Julian Plenti website is as of this time deactivated and all mentions of the character removed from Banks' official Twitter account.

   Julian Plenti Is... Skyscraper (2009) 
  Julian Plenti Lives... (2012) 
  Banks (2012) 

Saturday, 22 September 2012

DIIV - Oshin (2012)

  DIIV, formerly known as Dive, is an American indie rock band from Brooklyn, New York City. Formed in 2011, DIIV started as Zachary Cole Smith's solo recording project. After releasing three singles - "Sometime", "Human", and "Geist" - on the Captured Tracks label, DIIV released its debut full-length album, Oshin, on June 26, 2012.

Diiv - "Doused" (Official Music Video) from Ian Perlman on Vimeo.

 01 – (Druun)
02 – Past Lives
03 – Human
04 – Air Conditioning
05 – How Long Have You Known
06 – Wait
07 – Earthboy
08 – (Druun Pt. II)
09 – Follow
10 – Sometime
11 – Oshin (Subsume)
12 – Doused
13 – Home   



Saturday, 8 September 2012

Blouse - Into black

  Blouse is based out of a 6,000 square-foot warehouse in North Portland. 
  The project started in the summer of 2010, after Los Angeles native Charlie Hilton met Patrick Adams in art school.
   They made a few home recordings and soon began spending nights at the warehouse recording with Jacob Portrait (Producer of Mint Chicks, Dandy Warhols, Starfucker).

  Having played music since their teens, the three found that there was something inexplicable in their coming together. 
  After posting two demo tracks to Bandcamp's website, the group was picked up by Captured Tracks. 
  Into black is Blouse's debut single.

Friday, 7 September 2012

Tearjerker - So Dead

  Tearjerker is from Toronto. Their music is rich with dreamy guitars, thoughtful vocals, driving bass, and a mix of live and sampled drums. Tearjerker is Micah, Trevor, and Taylor.

  Their newest album Rare was released on November 15th, 2011.

  Tearjerker plays music that has been described by various people as indie rock, shoegaze, chillwave, glo-fi/lo-fi and other subgenres.

 The official Video for So Dead from the album Rare, by Tearjerker.

Wednesday, 25 July 2012

The Ropes - Lack Of Technology Made Me A Killer

  The Ropes are a duo. The band has received praise from NME and CMJ for their lyric driven new wave / indie rock style.

  The group consists of vocalist/bassist Sharon Shy and multi-instrumentalist Toppy (who is known for playing the drums with the guitar hanging around his neck). They have toured extensively throughout the US, opening for acts such as The Bravery, Innerpartysystem, The Used, Spoon, and others and have also played several UK dates. Music critic Allan Raible chose their album “What They Do For Fun” as #15 on the ABC News 50 Best Albums of 2008.

   The Ropes have released a string of EPs, singles, and a full length, all produced by Toppy and Nic Hard (The Bravery).


Sunday, 3 June 2012

Piano Magic - Ovations

 Piano Magic is a musical collective formed in the summer of 1996 by Glen Johnson, Dominic Chennell, and Dick Rance in London, England. 
  Their sound has been described as ambient pop, post-rock, indietronica, coldwave, dark wave and ghostrock.
   While the most recent releases have seen them operating with a traditional band format, they originally started their career with the intention to base their recordings around their small nucleus and whoever else would like to contribute. 
   Glen Johnson is the only remaining band member from the original trio.
  Ovations is their 10th album and features guest appearances by Brendan Perry and Peter Ulrich of Dead Can Dance. 
  Perry sings on The Nightmare Goes On and You Never Loved This City, whilst Ulrich adds percussion and hammered dulcimer to March Of The Atheists, A Fond Farewell and La Cobardía de los Toreros. This album finds Piano Magic at their most confident, melodic and unabashed, merging early 80’s coldwave electronics with Eastern European acoustic instrumentation. 

  The opening prowl of “The Nightmare Goes On” is a key indicator of the overall trajectory of Ovations. With commanding guest lead vocals from Dead Can Dance’s Brendan Perry, intoning Johnson’s funereal prose over washes of synths, exotic strings and almost African rhythms, the long-player feels like a much more successful attempt to capture the true ‘80s 4AD spirit that the ensemble strained a little hard to reach on 2002’s collaborator-heavy Writers Without Homes.  With Johnson back to the singing fore, the thicker rhythmic mélange hits with even greater force on the ensuing Moroccan-vibed “March Of The Atheists” and the skittering electro-beats-driven “On Edge”. 
   The more minimalist, Details Not Recorded-like, “A Fond Farewell” brings a serene momentary breathing space before “The Blue Hour” and “Recovery Position” crash in with towering waves of Robin Guthrie guitars put through Modern English amplifiers.

  Before proceedings slide too close to unadulterated ‘80s noire retrophilia, the wordless “La Cobardía De Los Toreros” chimes in with an Eastern European baroque eloquence that might not sound out of place on Beirut’s Gulag Orkestar. Following this refreshing interlude, a second Perry-sung track, the elegantly-orchestrated “You Never Loved This City”, glides in with unapologetically lovelorn Tindersticks-style grace and gravitas.  The somewhat automatic New Order-referencing of “The Faint Horizon” consequently feels a little anaemic in its wake. 
  However, the closing “Exit” more than makes up for it, with squelchy Kraftwerk electronics and a Vini Reilly guitar figure enveloping an elegiac duet between Johnson and regular golden-toned Piano Magic chanteuse, Angèle David Guillou.

  Like its predecessor, the impressive Ovations provides no linear entry-point into the labyrinthine world of Piano Magic. Yet, it undoubtedly finds Glen Johnson and co. regaining a stronger sense of collective purpose; reinforcing the belief that the group still has plenty of reasons and room to exist alongside its members extra-curricular roaming, for a little while longer at least. 
Longtime fans will love it unreservedly.

  A fantastic album, Highly recommended!

1. The Nightmare Goes On
2. March of the Atheists
3. On Edge
4. A Fond Farewell
5. The Blue Hour
6. Recovery Position
7. La Cobardia De Los Toreros
8. You Never Loved This City
9. The Faint Horizon
10. Exit

Sunday, 15 April 2012

Olga Kouklaki

  Olga was born in Athens (Greece) . She starts playing the piano at the age of 8 and never quits music since: While doing her classical music studies, curiosity brings her into the electronic scene .She starts djing to greek bars and clubs and learns music production. Sept 2001 she moves to Paris djing, taking courses in interior design and contemporary music .

  In January 2003 she releases her first track in the UK ( called `Don`t look at me` by the name of ODD and starts cooperating with the french label Fcommunication. She participates at the live project of Jay Alanki (aka Reminiscent Drive) and starts giving concerts as a programmer-keybord player.

   In Dec 2003 she records vocals for Fred`s Avril track `tv dinner` (album `Members Only`- Label Fcom) and in April 2004 she records vocals for Poni Hoax`s track `Budapest`(label Tigersushi). Budapest is released in December 2005, enters compilations as Fabric in the UK, ‘Les Inrocks’ mag ‘s monthly compilation in France and receives great reviews all over Europe.

   She also participates at the live project of Bang Bang (Yellow prod.) and Nouvelle Vague (Peacefrog) as a programmer-keybord player. Then, she works on her own project produced by Marc Collin (The Perfect Kiss / PIAS) . Her EP ‘Getalife’ with Blackstrobe’s remix is now in stores.

01 - getalife
02 - how do you feel
03 - before the night ends
04 - melted torch
05 - call me liar
06 - right shot
07 - ballade
08 - her own right
09 - afissos
10 - calling you
11 - pick up your pieces

getalife 2008 


01 I U Need
02 Hollow Lives (Feat Liset Alea)
03 Who Are U (Feat Tim Keegan)
04 Antivirus
05 Sweetheart
06 Jukebox
07 Gazstation
08 Stop
09 Ready
10 One Way
11 Time Goes By

 I U Need

Thursday, 5 April 2012

Cold Showers - Highlands

   Based out of Los Angeles comes the fresh sounds of  COLD SHOWERS. 
  Highlands is their first release to date with a promising sound coming from the Mexican Summer label.
  Combining influences of late 1970s post-punk with a sonic exploration closer to something from Neu!, it is the carefully constructed spatiality of the music that gives the somewhat minimal lyrics their weight; distant and atmospheric. 
 Moments of aggression and transcendence transform the songs from mere sound to rich sonic narratives: within the rise of the language lies a vision under restraint, a pent up joy that is like nothing else. The resulting sound is unexpectedly tough, vital, and contemporary.
Take a listen, a really nice surprise in these post punk waters , lovely indeed!! 

In their first Room 205 installment, the aptly named Cold Showers deliver an icy hot, uptempo performance of "So I Can Grow" from their forthcoming debut album.


Wednesday, 14 March 2012

A Place to Bury Strangers - Onwards to the Wall EP (2012)

   A Place to Bury Strangers are a power trio with a heavy, atmospheric wall of sound-influenced blend of psychedelic rock, shoegaze and space rock.  They have been affectionately lauded as New York City’s “loudest band” by various indie reviewers and bloggers throughout the course of their live music career, as well as “the most ear-shatteringly loud garage/shoegaze band you’ll ever hear” by The Washington Post. The New York Times applauded their revival of “the ominous, feedback-drenched drones of the 1980s”
  Onwards to the Wall is a brief, visceral 16-minute noise jam. APTBS have carved a commendable name for themselves in the abrasive rock scene alongside contemporaries HEALTH and The Horrors, they certainly prove here that they haven’t run out of ideas yet.
  “I Lost You” features crushing reverb, relentless echoes, and breakbeat drum work, as Oliver Ackermann sounds morose as ever. Ackermann also contributed to the creation of the video for So Far Away, a bass-driven, claustrophobic march given added humanity with playful, off-the-cuff visuals.
  The title track’s female vocals add a much-needed dynamic to the APTBS formula, and with melodic, spindly guitar riffs and a catchy motorik/post-punk beat. “Nothing Will Surprise Me” is one of the band’s fastest tracks, while “Drill It Up” is danceable, with a chorus begging to have crowds respond to Ackermann’s tortured calls.
  With moments of breathing room and stripped melodies, APTBS continue subtle explorations of their strengths and the conflict between cacophony and harmony.

Friday, 9 March 2012

The Raveonettes - Raven in the Grave

   The Raveonettes are a rock and roll duo formed in Copenhagen, Denmark in 2001. Comprising Sune Rose Wagner (guitar, instruments, vocals) and Sharin Foo (guitar and vocals), their music is characterized by close two-part vocal harmony inspired by The Everly Brothers , coupled with hard-edged electric guitar overlaid with liberal doses of noise.

  The name, The Raveonettes, is a direct reference to The Ronettes, and Buddy Holly’s song Rave On!.

  Their songs juxtapose the structural and chordal simplicity of 50s and 60s rock with intense electric instrumentation, driving beats and often dark lyrical content, similar to another of the band’s influences, The Velvet Underground. Altogether, they sound very much like a slightly more melodic version of The Jesus and Mary Chain.

  On April 4th, 2011, they released “Raven in the Grave”, a nine-track studio album with Vice Records.  It’s their 5th studio album. 

From their site bio:
“I think we have finally hit on something quite important and different for this album,” explains Sune. “This is the first Raveonettes album we’ve done which doesn’t feature the signature Raveonettes surf drumbeat. None of the tunes have any real sunshine to them. It’s all very un-Rave.”
“It has a mood of ethereal defiance” Sharin adds. “It’s dark but not bleak, like the single minded determination caused by crisis that is not quite hope but just as powerful. It’s the perfect winter soundtrack just in time for spring”.

  The album received generally positive reviews upon its release, fantastic album indeed, I liked it very much, The Raveonettes have taken what’s being described as a newer, darker trail, leaving behind the surf drum beats and guitar noise they’ve been identified with for years.  Enjoy!

 Official site

  "Let Me On Out" is probably the least commercial song on Raven In The Grave, in that respect you could refer to it as an anti-single. We really love the song. It's beautiful, haunting, loud, and dynamic. Everything a great song should be. We wanted to showcase the song in a static setting to draw the listeners attention to the raw sound." (Sune Rose Wagner, The Raveonettes)


1.-Recharge & Revolt
2.-War In Heaven
3.-Forget That You’re Young
5.-Summer Moon
6.-Let Me On Out
8.-Evil Seeds
9.-My Time’s Up

Wednesday, 7 March 2012

Seaside Postcards - EP

  For fans of Joy Division, this trio hailing from Pesaro, Italy is a must listen. Their dark indie sound is reminiscent of the stark moodiness of Ian Curtis and with their minimal guitar lines and heavy bass.
  Their personal interpretation of a perfectly connotated and deep-rooted sound is the sound of the cold Manchester at the end of the '70.
   Tangible proof is the new homonymous EP, self-produced, recorded and mixed in summer 2011.
   Seaside Postcards are already playing live and writing new songs that will see the light at the beginning of 2012.
   Watch the video for “Strange Days” below and be sure to download your free copy of their self-titled EP, give them support!

Thursday, 23 February 2012

Crystal Castles – Suffocation

   Crystal Castles have released the video for "Suffocation" off their 2010 self-titled album, in collaboration with Vs Magazine. 
   They're calling it a "fashion video," and it features Alice Glass pouting and moping around an abandoned mansion wearing all kinds of fancy wardrobe.
  They are known for their melancholic lo-fi sound and their explosive live shows. 
  Expect third album from Crystal Castles this summer, until then take a look a new video!

They followed that up with a remix of “Suffocation” by HEALTH

Tuesday, 21 February 2012

Soviet Soviet - Contradiction

    The masters of  Europian post-punk/new wave are back with a new video for their track “Contradiction”, the opener off their 2011 release, "Summer, Jesus". 
   The band has received numerous feedbacks from audiences and critics, "Contradiction" comes to crown a golden period for the Soviet Soviet, who had many dates abroad , particularly in eastern Europe. 
  Amazing artists with a sophisticated sense for making an extraordinary music, its hardly to find such a high-quality band in these waters. 
  Big support and good luck in the future!

Highy recommened!

 The video was directed, edited and produced by Roberto ‘RUP’ Paolini. 

Friday, 27 January 2012

The Beauty of Gemina - Iscariot Blues

  The Beauty of Gemina is a music group of the Swiss Michael Sele, which was founded in 2006.
  He's leading this project - accompanied by the musicians David Vetsch (bass) and Mac Vincens (drums) - onto the next level. 
  The band mixes elements from synth rock , dark rock  and electronic music.
  In the ten hymn-like and diversely arranged tracks the band leader seduces the listener with his dark timbre, lures hypnotically, constantly driving by powerful vocals and an unmistakable guitar play. He skilfully shuttles between melancholic intimacy and stadium sound, processing rock, wave, goth and blues influences.
   On the one hand Michael Sele reveals his habitual darkness; on the other hand he appears growingly political, proclaiming a new revolution and thus predicting an according cultural and social change of paradigms.
  The Beauty Of Gemina conceive themselves as a modern rock band orbiting close to the spirit of the age. Nonetheless, their sound knowingly eludes a clear musical categorisation.
  A distinctive voice as primary component, psychedelic guitar sounds, driving electronic devices, acoustic elements and profound lyrics peak to an arc of suspense, belt the mighty, epic-dark songs and reflect Michael Sele's atmospheric and at the same time daunting imagery output. 
  The Beauty Of Gemina with their new album Iscariot Blues are staging an opus of timeless-dark elegance, guiding their unique style to perfection. 

 My Space
01. Voices Of Winter
02. Haddon Hall
03. Badlands
04. Golden Age
05. Stairs
06. Prophecy
07. Dark Revolution
08. June 2
09. Seven-Day Wonder
10. Last Night Home


Video from the 2011 tour


At The End Of The Sea(2010)
01. Dark Rain
02. Obscura
03. Rumours
04. Kings Men Come
05. Sacrificed To The Gods
06. End Of All
07. Counting Tears
08. In Silence
09. A Fortune Tellers Dream
10. Black Cat Nights
11. Narcotica
12. Endless Sleep


A Stranger To Tears
01. Galilee Song
02. This Time
03. Psycho Flood
04. Shadow Dancer
05. Colours Of Mind
06. The Lonesome Death Of A Goth DJ
07. Heart Of A Gun
08. In Your Eyes
09. Into Black
10. One Day
11. Last Kiss
12. Narcissus
13. Simple Death
14. Tell Me Why
15. Wishful Promise
16. Essai Noir 

Diary Of A Lost
01. Suicide Landscape
02. One Step To Heaven
03. Hunters
04. Kingdom Of Cancer
05. Victims Of Love
06. Forgiveness
07. Nevertime
08. Trapped
09. Monster In Me
10. Fight Song
11. Isle Of Desire
12. Lovehate
13. La Reve De L'infidele